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DTSTART;VALUE=DATE:20190719
DTEND;VALUE=DATE:20190804
DTSTAMP:20260619T062713
CREATED:20190703T204649Z
LAST-MODIFIED:20190713T224042Z
UID:10000453-1563494400-1564876799@carlcherrycenter.org
SUMMARY:Bohemian Summer: The Artwork and Life of Jeanne d'Orge
DESCRIPTION:Photograph: Picnic in Robinson Canyon\, circa 1923. L to R: Alfred Burton\, painter William Silva\, Jeanne d’Orge\, Robinson Jeffers\, twins Donnan and Garth Jeffers. \n\nBohemian Summer: The Artwork and Life of Jeanne d’Orge\, an exhibition featuring historical photographs\, letters\, poems\, and artwork by the founder of the Carl Cherry Center for the Arts\, opens Friday\, July 19th\, and will run through August 3rd\, 2019. The exhibit will also include works by Jo Mora and Ephraim Doner. \n  \nAbout Jeanne d’Orge (Mrs. Carl Cherry)  \nBorn in 1887 in England\, Jeanne d’Orge spent her childhood in Edinburgh\, London\, and Paris. Her book of verse\, Voice in the Circle\, published in 1955\, focuses on her childhood in Europe. \nAfter moving to New York in 1906\, d’Orge became associated with “The Others\,” a group of iconoclastic poets that included Marianne Moore\, William Carlos Williams\, and Wallace Stevens. Her poetry was included in the anthology The Others and The Poetry Journal. In 1923 Scribner’s Magazine published her award-winning “Lobos” poems. \nJeanne d’Orge died on May 1\, 1964\, at the age of 87. Although her painting was recognized in her lifetime for its forcefulness and spirit with exhibits at the Santa Barbara Museum of Art\, the Park Avenue Galley in New York City\, and the De Young Museum in San Francisco\, d’Orge insisted that her paintings never be sold\, saying only\, “I’m just a paintbrush for God.” \n\n\n 
URL:https://carlcherrycenter.org/event/bohemian-summer/
LOCATION:Carl Cherry Center for the Arts
CATEGORIES:Cherry Gallery
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DTSTART;VALUE=DATE:20190802
DTEND;VALUE=DATE:20190812
DTSTAMP:20260619T062713
CREATED:20190710T195016Z
LAST-MODIFIED:20190710T195016Z
UID:10000454-1564704000-1565567999@carlcherrycenter.org
SUMMARY:Lucky Lindy: A Conversation With Charles Lindbergh
DESCRIPTION:It’s 1974 and Charles Lindbergh is in the spotlight after 35 years of silence. From the world’s flying hero to a hero’s welcome in an evil dictatorship\, to a leader of American isolationists and\, finally\, to a committed naturalist and environmentalist\, he is always controversial.  Now Lindbergh is read to talk…about everything. \nLucky Lindy: A Conversation with Charles Lindbergh is an original play written and directed by Tom Parks\, with Keith Decker as Charles Lindbergh and Lynette Winter.  The play opens its extended run on Friday\, August 2nd\,  through Sunday\, August 11th\, 2019. Carl Cherry Center for the Arts\, Carmel. \nTickets are $25. Friday and Saturday performances begin at 7:30pm; and Sunday matinees at 2:00pm. For more information or to purchase tickets\, please visit ticketguys.com or call  (831) 717-7373.
URL:https://carlcherrycenter.org/event/lucky-lindy-a-conversation-with-charles-lindbergh-2/
LOCATION:Carl Cherry Center for the Arts
CATEGORIES:Cherry Hall Theater
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DTSTART;TZID=America/Los_Angeles:20190823T170000
DTEND;TZID=America/Los_Angeles:20190920T170000
DTSTAMP:20260619T062713
CREATED:20190807T213515Z
LAST-MODIFIED:20190828T212640Z
UID:10000456-1566579600-1568998800@carlcherrycenter.org
SUMMARY:The Language of Walls
DESCRIPTION:“False Awakenings” – VIktor Klinger\n\nThe Language of Walls\, a photography exhibit exploring an array of approaches to walls\, opens Friday\, August 23rd  with an artists reception from 5:00 – 7:00 p.m. at the Carl Cherry Center for the Arts\, Carmel.  The reception is free and the public is invited. \nTree and Wall\, West Pinnacles\, 1985 – Edna Bullock \nComplex\, challenging\, and immersive\, the exhibit is a historical look at civilization’s relationship with barriers\, both real and imagined. For centuries\, across diverse civilizations\, walls have been central to human history. This exhibit explores the various aspects of walls – artistic\, social\, political\, and historical. These categories overlap and change meaning according to context\, much like the walls themselves: erected for one reason\, their appearance and use is then altered and modified over centuries\, reflecting the civilizations that have grown and changed around them. Featuring over 15  photographers from the Monterey Bay Area\, The Language of Walls invites the viewer to contemplate how these structures – from the decorative to the divine – affect the human psyche and why we keep building them. \nWedding Wall\, Naoli\, Madhya Pradesh\, India 2008 – Jeffrey Becom \nThe work will include a range of methods and attitudes to walls\, including exterior walls\, interior walls\, social walls\, walls that heal\, walls that divide\, graffiti walls\, walls as art and psychological walls. In other words\, all the innumerable ways walls are imagined\, photographed and understood.\n\n\n\nPhotography will include work by Jeffrey Becom\, Edna Bullock\,  Susan Hyde Green\, Viktor Klinger\, Dixie Dixon\, William Giles\, Bert Ihlenfeld\, Juan Mancheno\, Kenneth Parker\,  Jacqui Turner\, Robin Winfield\,  and Steve Zmak\, among others.\n\n\n\n\nThe exhibit will run through September 20th\, 2019.
URL:https://carlcherrycenter.org/event/walls-landscape-and-desire/
LOCATION:Carl Cherry Center for the Arts
CATEGORIES:Cherry Gallery
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